Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#17187
of 909177 performers
Top 5%
Su Elliot works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Su Elliot appears in 4 films in the Nutevio catalogue, and none of them would work the same way without Su. Harry Potter and the Goblet of Fire is the clearest case: a film rated 8.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, emotional range, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, drama, comedy. It is a style built on what is withheld as much as what is played.
Working with Cary Joji Fukunaga, Tom Vaughan, Mike Newell and others, Su Elliot helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Harry Potter and the Goblet of Fire (2005) as Ministry Witch · Jane Eyre (2011) as Hannah · The Hitchhiker's Guide to the Galaxy (2005) as Pub Customer
Career snapshot
Ranked #17187 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
2005–2011
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.1
Harry Potter and the Goblet of Fire
Average Nutevio score
7.1
Across catalogue work
Highest IMDb rating
7.8
Harry Potter and the Goblet of Fire
Most frequent director
Cary Joji Fukunaga
1 film together
Longest collaboration
1×
With Cary Joji Fukunaga
Most common genre
Romance
2 titles
Average runtime
2h 1m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.2 average MV
The 2010s are where the work and the material meet. Jane Eyre — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.2
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Starter for 10, Harry Potter and the Goblet of Fire, The Hitchhiker's Guide to the Galaxy.
Most productive era
2000s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s |
|---|---|---|
| Drama | 6.41 film | 7.21 film |
| Comedy | 6.62 films | — |
| Romance | 6.41 film | 7.21 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2005Harry Potter and the Goblet of Fire
Where our catalogue meets this career, as Ministry Witch. 8.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2011Jane Eyre
The current state of the argument, as Hannah.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as Ministry Witch
Directed by Mike Newell
as Hannah
Directed by Cary Joji Fukunaga
as Pub Customer
Directed by Garth Jennings
as Cleaner
Directed by Tom Vaughan
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Ministry Witch
Harry Potter and the Goblet of Fire (2005)
Performance score7.8
The performance the rest of the career is read through. Ministry Witch gives Su Elliot a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Hannah
Jane Eyre (2011)
Performance score7.1
Jane Eyre asks for something the previous films did not, and gets it. Hannah is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Pub Customer
The Hitchhiker's Guide to the Galaxy (2005)
Performance score6.6
The Hitchhiker's Guide to the Galaxy asks for something the previous films did not, and gets it. Pub Customer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Cleaner
Starter for 10 (2006)
Performance score6.5
Starter for 10 asks for something the previous films did not, and gets it. Cleaner is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Ministry Witch
Start here. Harry Potter and the Goblet of Fire is the clearest statement of what Su Elliot does — accessible, 157 minutes, and rated 8.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Su at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Hitchhiker's Guide to the Galaxy (2005)
Keeps the adventure register of Harry Potter and the Goblet of Fire but asks for a colder reading of it.
Starter for 10 (2006)
Keeps the comedy register of The Hitchhiker's Guide to the Galaxy but asks for a colder reading of it.
Jane Eyre (2011)
Keeps the romance register of Starter for 10 but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Garth Jennings
Director
1 film together
Notably The Hitchhiker's Guide to the Galaxy
Mike Newell
Director
1 film together
Notably Harry Potter and the Goblet of Fire
Tom Vaughan
Director
1 film together
Notably Starter for 10
Cary Joji Fukunaga
Director
1 film together
Notably Jane Eyre
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Mike Newell
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Harry Potter and the Goblet of FireCary Joji Fukunaga
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Jane EyreGarth Jennings
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Hitchhiker's Guide to the GalaxyTom Vaughan
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Starter for 10Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Harry Potter and the Goblet of Fire
as Ministry Witch
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Jane Eyre
as Hannah
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Harry Potter and the Goblet of Fire
as Ministry Witch
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Harry Potter and the Goblet of Fire
as Ministry Witch
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Harry Potter and the Goblet of Fire
as Ministry Witch
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Su Elliot has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Romance Legend
Awarded
2 catalogue titles in romance, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Harry Potter and the Goblet of Fire
as Ministry Witch
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Harry Potter and the Goblet of Fire
as Ministry Witch
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Jane Eyre
as Hannah
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Harry Potter and the Goblet of Fire
as Ministry Witch
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Harry Potter and the Goblet of Fire
as Ministry Witch
Images that would survive with the sound switched off.
Best action sequence
Harry Potter and the Goblet of Fire
as Ministry Witch
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Jane Eyre
as Hannah
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Harry Potter and the Goblet of Fire
as Ministry Witch
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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