Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#53565
of 909177 performers
Top 10%
Sue Rock represents the rare performer whose career became more ambitious with every decade — 26 years in, and Sue is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Sue Rock appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Sue. The Passenger is the clearest case: a film rated 6.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, thriller, horror. It is a style built on what is withheld as much as what is played.
Working with Mimi Cave, Kieran Darcy-Smith, Paco Cabezas and others, Sue Rock helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Passenger (2023) as Ma · Mr. Right (2016) as Sharon Lutz · Varsity Blues (1999) as Minnie
Career snapshot
Ranked #53565 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
1999–2025
Career length
26 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.4
The Passenger
Average Nutevio score
5.8
Across catalogue work
Highest IMDb rating
6.4
The Passenger
Most frequent director
Mimi Cave
1 film together
Longest collaboration
1×
With Mimi Cave
Most common genre
Thriller
3 titles
Average runtime
1h 39m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
6.1 average MV
The 1990s are where the work and the material meet. Varsity Blues — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
6.1
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
6.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Varsity Blues.
Most productive era
2010s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.11 film | 5.51 film | — |
| Thriller | — | 5.51 film | 5.92 films |
| Comedy | 6.11 film | 6.41 film | — |
| Crime | — | 6.41 film | — |
| Romance | 6.11 film | 6.41 film | — |
| Horror | — | 5.51 film | 5.82 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Career peak
1999Varsity Blues
Where our catalogue meets this career, as Minnie. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
2016Mr. Right
6.4 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
2025Holland
The current state of the argument, as Minnie's Waitress.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Ma
Directed by Unknown
as Maia's Mother
Directed by Unknown
as Outlaw Woman (uncredited)
Directed by Kieran Darcy-Smith
as Sharon Lutz
Directed by Paco Cabezas
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Minnie's Waitress
Holland (2025)
Performance score6.5
The performance the rest of the career is read through. Minnie's Waitress gives Sue Rock a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Ma
The Passenger (2023)
Performance score6.5
The Passenger asks for something the previous films did not, and gets it. Ma is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Maia's Mother
The Visitor (2022)
Performance score6.5
The Visitor asks for something the previous films did not, and gets it. Maia's Mother is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Outlaw Woman (uncredited)
The Duel (2016)
Performance score6.5
The Duel asks for something the previous films did not, and gets it. Outlaw Woman (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Minnie's Waitress
Start here. Holland is the clearest statement of what Sue Rock does — accessible, 108 minutes, and rated 5.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Sue at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Duel (2016)
A deliberate change of key after Holland — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Mr. Right (2016)
A deliberate change of key after The Duel — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Visitor (2022)
A deliberate change of key after Mr. Right — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Passenger (2023)
Same director as The Visitor, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Paco Cabezas
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mr. RightBrian Robbins
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Varsity BluesKieran Darcy-Smith
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The DuelMimi Cave
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HollandSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Passenger
as Ma
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Varsity Blues
as Minnie
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Mr. Right
as Sharon Lutz
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Duel
as Outlaw Woman (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Holland
as Minnie's Waitress
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Sue Rock has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
26 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Thriller Legend
Awarded
3 catalogue titles in thriller, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Passenger
as Ma
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Passenger
as Ma
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Varsity Blues
as Minnie
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Holland
as Minnie's Waitress
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Mr. Right
as Sharon Lutz
Images that would survive with the sound switched off.
Best action sequence
The Duel
as Outlaw Woman (uncredited)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Mr. Right
as Sharon Lutz
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Duel
as Outlaw Woman (uncredited)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: crime and drama
Zach Grenier
Built a career in the same territory: crime and mystery
Richmond Arquette
Built a career in the same territory: crime and mystery
Bob Stephenson
Built a career in the same territory: crime and mystery
Robert Downey Jr.
Built a career in the same territory: drama and thriller
Have your say
Community
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Reference
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