Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#19819
of 909177 performers
Top 5%
Vicki Pepperdine works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Vicki Pepperdine appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Vicki. Poor Things is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, drama, comedy. It is a style built on what is withheld as much as what is played.
Working with Emerald Fennell, Peter Glanz, Freddy Syborn and others, Vicki Pepperdine helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Poor Things (2023) as Mrs. Prim · Goodbye Christopher Robin (2017) as Betty · Savage House (2026) as Mrs. Bennett
Career snapshot
Ranked #19819 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
2017–2026
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
Poor Things
Average Nutevio score
5.2
Across catalogue work
Highest IMDb rating
7.6
Poor Things
Most frequent director
Freddy Syborn
2 films together
Longest collaboration
2×
With Freddy Syborn
Most common genre
Comedy
6 titles
Average runtime
1h 30m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.3 average MV
The 2010s are where the work and the material meet. Johnny English Strikes Again, Goodbye Christopher Robin, My Cousin Rachel — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.3
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Johnny English Strikes Again, Goodbye Christopher Robin, My Cousin Rachel.
Most productive era
2020s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.32 films | 6.63 films |
| Action | 6.31 film | — |
| Comedy | 6.31 film | 5.35 films |
| Romance | 5.71 film | 6.93 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Betty.
Highest rated performance · Career peak
2023Poor Things
7.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Savage House
The current state of the argument, as Mrs. Bennett.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Mrs. Prim
Directed by Unknown
as Mrs. Bennett
Directed by Peter Glanz
as Sister Mercy
Directed by Emerald Fennell
as Edna Eaglebauer
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Mrs. Prim
Poor Things (2023)
Performance score7.4
The performance the rest of the career is read through. Mrs. Prim gives Vicki Pepperdine a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Betty
Goodbye Christopher Robin (2017)
Performance score6.9
Goodbye Christopher Robin asks for something the previous films did not, and gets it. Betty is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Mrs. Bennett
Savage House (2026)
Performance score6.7
Savage House asks for something the previous films did not, and gets it. Mrs. Bennett is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Sister Mercy
"Wuthering Heights" (2026)
Performance score6.6
"Wuthering Heights" asks for something the previous films did not, and gets it. Sister Mercy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Mrs. Prim
Start here. Poor Things is the clearest statement of what Vicki Pepperdine does — accessible, 141 minutes, and rated 7.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Vicki at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Goodbye Christopher Robin (2017)
A deliberate change of key after Poor Things — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Magic Mike's Last Dance (2023)
Keeps the drama register of Goodbye Christopher Robin but asks for a colder reading of it.
Savage House (2026)
Keeps the comedy register of Magic Mike's Last Dance but asks for a colder reading of it.
"Wuthering Heights" (2026)
Keeps the drama register of Savage House but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Freddy Syborn
Director
2 films together
Notably Bad Education: Reunion
Roger Michell
Director
1 film together
Notably My Cousin Rachel
Simon Curtis
Director
1 film together
Notably Goodbye Christopher Robin
David Kerr
Director
1 film together
Notably Johnny English Strikes Again
Coky Giedroyc
Director
1 film together
Notably How to Build a Girl
Mackenzie Crook
Director
1 film together
Notably Worzel Gummidge: Calliope Jane
Peter Glanz
Director
1 film together
Notably Savage House
Emerald Fennell
Director
1 film together
Notably "Wuthering Heights"
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Freddy Syborn
Director
2 films together · 2.3 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Bad Education: ReunionSimon Curtis
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Goodbye Christopher RobinPeter Glanz
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Savage HouseEmerald Fennell
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
"Wuthering Heights"David Kerr
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Johnny English Strikes AgainCoky Giedroyc
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
How to Build a GirlRoger Michell
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
My Cousin RachelMackenzie Crook
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Worzel Gummidge: Calliope JaneSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Poor Things
as Mrs. Prim
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Goodbye Christopher Robin
as Betty
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Poor Things
as Mrs. Prim
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Johnny English Strikes Again
as Lydia
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Poor Things
as Mrs. Prim
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Vicki Pepperdine has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
6 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Poor Things
as Mrs. Prim
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Poor Things
as Mrs. Prim
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
"Wuthering Heights"
as Sister Mercy
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
"Wuthering Heights"
as Sister Mercy
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Poor Things
as Mrs. Prim
Images that would survive with the sound switched off.
Best action sequence
Johnny English Strikes Again
as Lydia
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Magic Mike's Last Dance
as Edna Eaglebauer
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Savage House
as Mrs. Bennett
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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