Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#68627
of 909177 performers
Top 10%
William Dick works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
William Dick appears in 4 films in the Nutevio catalogue, and none of them would work the same way without William. Stranger Than Fiction is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for fantasy, adventure, family. It is a style built on what is withheld as much as what is played.
Working with Sam Raimi, Peyton Reed, Marc Forster and others, William Dick helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Stranger Than Fiction (2006) as IRS Co-Worker #1 · Oz the Great and Powerful (2013) as Front Gate Barker · The Break-Up (2006) as Waiter
Career snapshot
Ranked #68627 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
4
2005–2013
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
Stranger Than Fiction
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.3
Stranger Than Fiction
Most frequent director
Sam Raimi
1 film together
Longest collaboration
1×
With Sam Raimi
Most common genre
Comedy
3 titles
Average runtime
1h 49m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.4 average MV
The 2000s are where the work and the material meet. The Break-Up, Stranger Than Fiction, The Ice Harvest — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.4
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Break-Up, Stranger Than Fiction, The Ice Harvest.
Most productive era
2000s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s |
|---|---|---|
| Drama | 6.62 films | — |
| Thriller | 5.91 film | — |
| Comedy | 6.43 films | — |
| Crime | 5.91 film | — |
| Romance | 6.62 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2005The Ice Harvest
Where our catalogue meets this career, as Manager.
Highest rated performance · Career peak
7.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Front Gate Barker.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
4 of 4 films
as IRS Co-Worker #1
Directed by Marc Forster
as Front Gate Barker
Directed by Sam Raimi
as Waiter
Directed by Peyton Reed
as Manager
Directed by Harold Ramis
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
IRS Co-Worker #1
Stranger Than Fiction (2006)
Performance score7.2
The performance the rest of the career is read through. IRS Co-Worker #1 gives William Dick a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Front Gate Barker
Oz the Great and Powerful (2013)
Performance score6.5
Oz the Great and Powerful asks for something the previous films did not, and gets it. Front Gate Barker is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Waiter
The Break-Up (2006)
Performance score6.5
The Break-Up asks for something the previous films did not, and gets it. Waiter is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Manager
The Ice Harvest (2005)
Performance score6.5
The Ice Harvest asks for something the previous films did not, and gets it. Manager is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as IRS Co-Worker #1
Start here. Stranger Than Fiction is the clearest statement of what William Dick does — accessible, 113 minutes, and rated 7.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet William at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Ice Harvest (2005)
Keeps the comedy register of Stranger Than Fiction but asks for a colder reading of it.
The Break-Up (2006)
Keeps the comedy register of The Ice Harvest but asks for a colder reading of it.
Oz the Great and Powerful (2013)
A deliberate change of key after The Break-Up — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Harold Ramis
Director
1 film together
Notably The Ice Harvest
Marc Forster
Director
1 film together
Notably Stranger Than Fiction
Peyton Reed
Director
1 film together
Notably The Break-Up
Sam Raimi
Director
1 film together
Notably Oz the Great and Powerful
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Marc Forster
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Stranger Than FictionSam Raimi
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Oz the Great and PowerfulPeyton Reed
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Break-UpHarold Ramis
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Ice HarvestSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Stranger Than Fiction
as IRS Co-Worker #1
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Stranger Than Fiction
as IRS Co-Worker #1
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Stranger Than Fiction
as IRS Co-Worker #1
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Break-Up
as Waiter
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Stranger Than Fiction
as IRS Co-Worker #1
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. William Dick has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
3 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Stranger Than Fiction
as IRS Co-Worker #1
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Stranger Than Fiction
as IRS Co-Worker #1
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Stranger Than Fiction
as IRS Co-Worker #1
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Oz the Great and Powerful
as Front Gate Barker
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Stranger Than Fiction
as IRS Co-Worker #1
Images that would survive with the sound switched off.
Best action sequence
Oz the Great and Powerful
as Front Gate Barker
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Stranger Than Fiction
as IRS Co-Worker #1
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Break-Up
as Waiter
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: adventure and drama
Tom Hanks
Built a career in the same territory: family and comedy
Bonnie Hunt
Built a career in the same territory: family and comedy
Michael Caine
Built a career in the same territory: adventure and drama
Edward Norton
Built a career in the same territory: comedy and adventure
Jamie Harris
Built a career in the same territory: adventure and drama
Have your say
Community
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Reference
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