Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#24874
of 909177 performers
Top 5%
Woo Kang-min works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Woo Kang-min appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Woo. The Gangster, the Cop, the Devil is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, screen presence. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with Yeon Sang-ho, Park Hoon-jung, Yoo Ha and others, Woo Kang-min helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Gangster, the Cop, the Devil (2019) as Ha Moo-young · Mission: Possible (2021) as Cheon Hun [Korean Mercenary Leader] · The Witch: Part 2. The Other One (2022) as Man 1
Career snapshot
Ranked #24874 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2019–2025
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
The Gangster, the Cop, the Devil
Average Nutevio score
7.1
Across catalogue work
Highest IMDb rating
7.9
The Gangster, the Cop, the Devil
Most frequent director
Park Hoon-jung
2 films together
Longest collaboration
2×
With Park Hoon-jung
Most common genre
Thriller
7 titles
Average runtime
1h 58m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.7 average MV
The 2010s are where the work and the material meet. The Gangster, the Cop, the Devil — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.7
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Gangster, the Cop, the Devil.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 7.31 film |
| Action | 7.71 film | 7.16 films |
| Thriller | 7.71 film | 7.06 films |
| Comedy | — | 7.32 films |
| Crime | 7.71 film | 7.05 films |
| Romance | — | 7.31 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2019The Gangster, the Cop, the Devil
Where our catalogue meets this career, as Ha Moo-young. 7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Revelations
The current state of the argument, as Violent Crimes Unit Chief.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
as Ha Moo-young
Directed by Lee Won-tae
as Cheon Hun [Korean Mercenary Leader]
Directed by Unknown
as Man 1
Directed by Park Hoon-jung
as Raku
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Ha Moo-young
The Gangster, the Cop, the Devil (2019)
Performance score7.5
The performance the rest of the career is read through. Ha Moo-young gives Woo Kang-min a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Cheon Hun [Korean Mercenary Leader]
Mission: Possible (2021)
Performance score7.3
Mission: Possible asks for something the previous films did not, and gets it. Cheon Hun [Korean Mercenary Leader] is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Broker
My Name Is Loh Kiwan (2024)
Performance score7.2
My Name Is Loh Kiwan asks for something the previous films did not, and gets it. Broker is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Man 1
The Witch: Part 2. The Other One (2022)
Performance score7.2
The Witch: Part 2. The Other One asks for something the previous films did not, and gets it. Man 1 is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Ha Moo-young
Start here. The Gangster, the Cop, the Devil is the clearest statement of what Woo Kang-min does — accessible, 110 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Woo at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Mission: Possible (2021)
Keeps the action register of The Gangster, the Cop, the Devil but asks for a colder reading of it.
The Witch: Part 2. The Other One (2022)
Keeps the action register of Mission: Possible but asks for a colder reading of it.
The Roundup (2022)
Keeps the action register of The Witch: Part 2. The Other One but asks for a colder reading of it.
My Name Is Loh Kiwan (2024)
Same director as The Roundup, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Park Hoon-jung
Director
2 films together
Notably The Witch: Part 2. The Other One
Lee Won-tae
Director
1 film together
Notably The Gangster, the Cop, the Devil
Yoo Ha
Director
1 film together
Notably Pipeline
Yeon Sang-ho
Director
1 film together
Notably Revelations
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Park Hoon-jung
Director
2 films together · 7.2 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Witch: Part 2. The Other OneLee Won-tae
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Gangster, the Cop, the DevilYoo Ha
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PipelineYeon Sang-ho
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
RevelationsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Gangster, the Cop, the Devil
as Ha Moo-young
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
My Name Is Loh Kiwan
as Broker
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Gangster, the Cop, the Devil
as Ha Moo-young
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Witch: Part 2. The Other One
as Man 1
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Gangster, the Cop, the Devil
as Ha Moo-young
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Woo Kang-min has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Thriller Legend
Awarded
7 catalogue titles in thriller, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Witch: Part 2. The Other One
as Man 1
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Gangster, the Cop, the Devil
as Ha Moo-young
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
My Name Is Loh Kiwan
as Broker
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Revelations
as Violent Crimes Unit Chief
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Gangster, the Cop, the Devil
as Ha Moo-young
Images that would survive with the sound switched off.
Best action sequence
The Roundup
as Raku
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
My Name Is Loh Kiwan
as Broker
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Revelations
as Violent Crimes Unit Chief
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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