Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#1086
of 909177 performers
Top 1%
Yohei Azakami works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Yohei Azakami appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Yohei. Godzilla vs. Megalon is the clearest case: a film rated 8.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, screen presence. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, fantasy, animation. It is a style built on what is withheld as much as what is played.
Working with Haruo Sotozaki, Keiichiro Saito, Bob Shirohata and others, Yohei Azakami helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Godzilla vs. Megalon (2023) · Demon Slayer: Kimetsu no Yaiba Infinity Castle (2025) as (voice) · Pretty Guardian Sailor Moon Eternal the Movie Part 1 (2021) as Xenotime (voice)
Career snapshot
Ranked #1086 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2013–2025
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.6
Godzilla vs. Megalon
Average Nutevio score
7.0
Across catalogue work
Highest IMDb rating
8.6
Godzilla vs. Megalon
Most frequent director
Bob Shirohata
2 films together
Longest collaboration
2×
With Bob Shirohata
Most common genre
Animation
9 titles
Average runtime
1h 17m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.8 average MV
The 2010s are where the work and the material meet. Dragon Ball Super: Broly, Puella Magi Madoka Magica the Movie Part III: Rebellion — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Dragon Ball Super: Broly, Puella Magi Madoka Magica the Movie Part III: Rebellion.
Most productive era
2020s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 0.01 film |
| Action | 7.71 film | 7.86 films |
| Comedy | — | 6.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2013Puella Magi Madoka Magica the Movie Part III: Rebellion
Where our catalogue meets this career, as School Boy (voice).
Highest rated performance · Career peak
8.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Demon Slayer: Kimetsu no Yaiba Infinity Castle
The current state of the argument, as (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
Directed by Unknown
as Deathpierce (voice)
Directed by Bob Shirohata
as (voice)
Directed by Haruo Sotozaki
as Xenotime (voice)
Directed by Chiaki Kon
as School Boy (voice)
Directed by Yukihiro Miyamoto
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Godzilla vs. Megalon
Godzilla vs. Megalon (2023)
Performance score8.8
The performance the rest of the career is read through. The role gives Yohei Azakami a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Deathpierce (voice)
The Seven Deadly Sins: Grudge of Edinburgh Part 1 (2022)
Performance score8.0
The Seven Deadly Sins: Grudge of Edinburgh Part 1 asks for something the previous films did not, and gets it. Deathpierce (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
(voice)
Demon Slayer: Kimetsu no Yaiba Infinity Castle (2025)
Performance score7.8
Demon Slayer: Kimetsu no Yaiba Infinity Castle asks for something the previous films did not, and gets it. (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Xenotime (voice)
Pretty Guardian Sailor Moon Eternal the Movie Part 1 (2021)
Performance score7.7
Pretty Guardian Sailor Moon Eternal the Movie Part 1 asks for something the previous films did not, and gets it. Xenotime (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
Start here. Godzilla vs. Megalon is the clearest statement of what Yohei Azakami does — accessible, 10 minutes, and rated 8.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Yohei at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Puella Magi Madoka Magica the Movie Part III: Rebellion (2013)
Keeps the fantasy register of Godzilla vs. Megalon but asks for a colder reading of it.
Pretty Guardian Sailor Moon Eternal the Movie Part 1 (2021)
Keeps the fantasy register of Puella Magi Madoka Magica the Movie Part III: Rebellion but asks for a colder reading of it.
The Seven Deadly Sins: Grudge of Edinburgh Part 1 (2022)
Keeps the action register of Pretty Guardian Sailor Moon Eternal the Movie Part 1 but asks for a colder reading of it.
Demon Slayer: Kimetsu no Yaiba Infinity Castle (2025)
Keeps the action register of The Seven Deadly Sins: Grudge of Edinburgh Part 1 but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Bob Shirohata
Director
2 films together
Notably The Seven Deadly Sins: Grudge of Edinburgh Part 1
Yukihiro Miyamoto
Director
1 film together
Notably Puella Magi Madoka Magica the Movie Part III: Rebellion
Tatsuya Nagamine
Director
1 film together
Notably Dragon Ball Super: Broly
Hideki Ito
Director
1 film together
Notably Shabake
Chiaki Kon
Director
1 film together
Notably Pretty Guardian Sailor Moon Eternal the Movie Part 1
Ayako Kono
Director
1 film together
Notably Sword Art Online the Movie – Progressive – Scherzo of Deep Night
Keiichiro Saito
Director
1 film together
Notably BOCCHI THE ROCK! Recap Part 1
Haruo Sotozaki
Director
1 film together
Notably Demon Slayer: Kimetsu no Yaiba Infinity Castle
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Bob Shirohata
Director
2 films together · 7.5 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Seven Deadly Sins: Grudge of Edinburgh Part 1Haruo Sotozaki
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Demon Slayer: Kimetsu no Yaiba Infinity CastleChiaki Kon
Director
1 film together · 7.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pretty Guardian Sailor Moon Eternal the Movie Part 1Yukihiro Miyamoto
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Puella Magi Madoka Magica the Movie Part III: RebellionAyako Kono
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sword Art Online the Movie – Progressive – Scherzo of Deep NightTatsuya Nagamine
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dragon Ball Super: BrolyKeiichiro Saito
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BOCCHI THE ROCK! Recap Part 1Hideki Ito
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ShabakeSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Demon Slayer: Kimetsu no Yaiba Infinity Castle
as (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Seven Deadly Sins: Grudge of Edinburgh Part 1
as Deathpierce (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Godzilla vs. Megalon
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Demon Slayer: Kimetsu no Yaiba Infinity Castle
as (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Godzilla vs. Megalon
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Yohei Azakami has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Animation Legend
Awarded
9 catalogue titles in animation, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Puella Magi Madoka Magica the Movie Part III: Rebellion
as School Boy (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Godzilla vs. Megalon
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Shabake
as Sasuke (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Puella Magi Madoka Magica the Movie Part III: Rebellion
as School Boy (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Godzilla vs. Megalon
Images that would survive with the sound switched off.
Best action sequence
The Seven Deadly Sins: Grudge of Edinburgh Part 2
as Death Pierce (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
BOCCHI THE ROCK! Recap Part 1
as Bandmate / Customer / Audience Member (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
BOCCHI THE ROCK! Recap Part 1
as Bandmate / Customer / Audience Member (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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