Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#15329
of 909177 performers
Top 5%
Yuki Kura works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Yuki Kura appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Yuki. Town Without Sea is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, music, drama. It is a style built on what is withheld as much as what is played.
Working with Yusuke Taki, Nobuhiro Doi, Hideo Nakata and others, Yuki Kura helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Town Without Sea (2020) as Sho · A Moon in the Ordinary (2025) · OUT (2023) as Tatsuya Iguchi
Career snapshot
Ranked #15329 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
2020–2026
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
Town Without Sea
Average Nutevio score
5.9
Across catalogue work
Highest IMDb rating
8.0
Town Without Sea
Most frequent director
Yusuke Taki
1 film together
Longest collaboration
1×
With Yusuke Taki
Most common genre
Drama
7 titles
Average runtime
1h 47m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
5.9 average MV
The 2020s are where the work and the material meet. Love on Trial, Kyojo Reunion, Blue Lock — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
5.9
Across 9 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
5.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2020s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Love on Trial, Kyojo Reunion, Blue Lock.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2020s |
|---|---|
| Drama | 5.87 films |
| Action | 3.52 films |
| Thriller | 5.51 film |
| Romance | 6.93 films |
| Horror | 6.02 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2020Town Without Sea
Where our catalogue meets this career, as Sho. 8.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Blue Lock
The current state of the argument, as Ryosuke Kira.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Tatsuya Iguchi
Directed by Hiroshi Shinagawa
Directed by Nobuhiro Doi
as Shinjiro Washio
Directed by Takashi Shimizu
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Sho
Town Without Sea (2020)
Performance score8.5
The performance the rest of the career is read through. Sho gives Yuki Kura a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Tatsuya Iguchi
OUT (2023)
Performance score7.6
OUT asks for something the previous films did not, and gets it. Tatsuya Iguchi is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
A Moon in the Ordinary
A Moon in the Ordinary (2025)
Performance score7.5
A Moon in the Ordinary asks for something the previous films did not, and gets it. The role is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Misaki Sanzaki
A Girl on the Shore (2021)
Performance score7.1
A Girl on the Shore asks for something the previous films did not, and gets it. Misaki Sanzaki is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Sho
Start here. Town Without Sea is the clearest statement of what Yuki Kura does — accessible, 105 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Yuki at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
A Girl on the Shore (2021)
Keeps the drama register of Town Without Sea but asks for a colder reading of it.
Suicide Forest Village (2021)
Keeps the drama register of A Girl on the Shore but asks for a colder reading of it.
OUT (2023)
A deliberate change of key after Suicide Forest Village — same instrument, unfamiliar tuning, and the reason range gets mentioned.
A Moon in the Ordinary (2025)
A deliberate change of key after OUT — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Elaiza Ikeda
Director
1 film together
Notably Town Without Sea
Takashi Shimizu
Director
1 film together
Notably Suicide Forest Village
Hiroshi Shinagawa
Director
1 film together
Notably OUT
Hideo Nakata
Director
1 film together
Notably The Forbidden Play
Nobuhiro Doi
Director
1 film together
Notably A Moon in the Ordinary
Yusuke Taki
Director
1 film together
Notably Blue Lock
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Elaiza Ikeda
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Town Without SeaNobuhiro Doi
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Moon in the OrdinaryHiroshi Shinagawa
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
OUTTakashi Shimizu
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Suicide Forest VillageHideo Nakata
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Forbidden PlayYusuke Taki
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Blue LockSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Town Without Sea
as Sho
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
A Moon in the Ordinary
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Town Without Sea
as Sho
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
A Moon in the Ordinary
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Town Without Sea
as Sho
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Yuki Kura has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Town Without Sea
as Sho
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Suicide Forest Village
as Shinjiro Washio
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Love on Trial
as Kei Mayama
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Suicide Forest Village
as Shinjiro Washio
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
OUT
as Tatsuya Iguchi
Images that would survive with the sound switched off.
Best action sequence
OUT
as Tatsuya Iguchi
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
A Girl on the Shore
as Misaki Sanzaki
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
A Moon in the Ordinary
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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