Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6666
of 909177 performers
Top 1%
Andrew Bachelor works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Andrew Bachelor appears in 20 films in the Nutevio catalogue, and none of them would work the same way without Andrew. To All the Boys I've Loved Before is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, comedy, fantasy. It is a style built on what is withheld as much as what is played.
Working with Aaron Schoenke, Lil Rel Howery, Sherren Lee and others, Andrew Bachelor helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
To All the Boys I've Loved Before (2018) as Greg Rivera · Shot Caller (2017) as Tony · Vacation Friends (2021) as Gabe
Career snapshot
Ranked #6666 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
20
2015–2026
Career length
11 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
To All the Boys I've Loved Before
Average Nutevio score
5.5
Across catalogue work
Highest IMDb rating
9.7
Haunted Heist
Most frequent director
McG
3 films together
Longest collaboration
3×
With McG
Most common genre
Comedy
14 titles
Average runtime
1h 25m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.7 average MV
The 2010s are where the work and the material meet. When We First Met, Game Over, Man!, To All the Boys I've Loved Before — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.7
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. When We First Met, Game Over, Man!, To All the Boys I've Loved Before.
Most productive era
2020s
14 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.92 films | 6.23 films |
| Action | 5.81 film | 1.93 films |
| Thriller | 7.01 film | — |
| Comedy | 6.65 films | 5.79 films |
| Crime | 7.01 film | 5.81 film |
| Romance | 7.03 films | 6.53 films |
| Horror | 6.31 film | 6.33 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as King Bach.
Highest rated performance · Career peak
2018To All the Boys I've Loved Before
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Haunted Heist
The current state of the argument, as Ellis.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
20 of 20 films
as Ellis
Directed by Lil Rel Howery
as Neil
Directed by John Whitesell
as Tony
Directed by Ric Roman Waugh
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Greg Rivera
To All the Boys I've Loved Before (2018)
Performance score7.7
The performance the rest of the career is read through. Greg Rivera gives Andrew Bachelor a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Ellis
Haunted Heist (2026)
Performance score7.2
Haunted Heist asks for something the previous films did not, and gets it. Ellis is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Neil
Holidate (2020)
Performance score7.1
Holidate asks for something the previous films did not, and gets it. Neil is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Tony
Shot Caller (2017)
Performance score6.9
Shot Caller asks for something the previous films did not, and gets it. Tony is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Greg Rivera
Start here. To All the Boys I've Loved Before is the clearest statement of what Andrew Bachelor does — accessible, 100 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Andrew at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Shot Caller (2017)
A deliberate change of key after To All the Boys I've Loved Before — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Holidate (2020)
A deliberate change of key after Shot Caller — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Vacation Friends (2021)
Keeps the comedy register of Holidate but asks for a colder reading of it.
Haunted Heist (2026)
Keeps the comedy register of Vacation Friends but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
McG
Director
3 films together
Notably Family Switch
Ric Roman Waugh
Director
2 films together
Notably Shot Caller
Max Joseph
Director
1 film together
Notably We Are Your Friends
Kyle Newacheck
Director
1 film together
Notably Game Over, Man!
Michael Dowse
Director
1 film together
Notably Coffee & Kareem
John Whitesell
Director
1 film together
Notably Holidate
Dennis Dugan
Director
1 film together
Notably Love, Weddings & Other Disasters
Clay Tarver
Director
1 film together
Notably Vacation Friends
Andrew Bachelor
Director
1 film together
Notably One Date
Sherren Lee
Director
1 film together
Notably Float
Lil Rel Howery
Director
1 film together
Notably Haunted Heist
Aaron Schoenke
Director
1 film together
Notably Legend of the White Dragon
Behind the camera
Who casts this performer, how often, and what the pairing produces.
McG
Director
3 films together · 6.4 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Family SwitchRic Roman Waugh
Director
2 films together · 6.7 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Shot CallerClay Tarver
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Vacation FriendsJohn Whitesell
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HolidateLil Rel Howery
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Haunted HeistMax Joseph
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
We Are Your FriendsSherren Lee
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FloatDennis Dugan
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Love, Weddings & Other DisastersMichael Dowse
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Coffee & KareemKyle Newacheck
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Game Over, Man!Aaron Schoenke
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Legend of the White DragonAndrew Bachelor
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
One DateSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
To All the Boys I've Loved Before
as Greg Rivera
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
We Are Your Friends
as King Bach
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
To All the Boys I've Loved Before
as Greg Rivera
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
We Are Your Friends
as King Bach
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
To All the Boys I've Loved Before
as Greg Rivera
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Andrew Bachelor has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
14 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
To All the Boys I've Loved Before
as Greg Rivera
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Shot Caller
as Tony
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Float
as Jesse
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Shot Caller
as Tony
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
To All the Boys I've Loved Before
as Greg Rivera
Images that would survive with the sound switched off.
Best action sequence
Game Over, Man!
as Stud
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
We Are Your Friends
as King Bach
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Fear
as Benny
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Tom Hanks
Built a career in the same territory: family and comedy
Bonnie Hunt
Built a career in the same territory: family and comedy
Matt Damon
Built a career in the same territory: drama and fantasy
Michael Caine
Built a career in the same territory: drama and thriller
Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Have your say
Community
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Reference
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