Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#9734
of 909177 performers
Top 5%
Griff Furst works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Griff Furst appears in 16 films in the Nutevio catalogue, and none of them would work the same way without Griff. Now You See Me is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, mystery, horror. It is a style built on what is withheld as much as what is played.
Working with Griff Furst, Rusty Cundieff, Ben Young and others, Griff Furst helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Now You See Me (2013) as Stethoscope Agent · The Founder (2016) as Jim Zien · Trumbo (2015) as Master of Ceremonies
Career snapshot
Ranked #9734 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
16
2010–2025
Career length
15 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
Now You See Me
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.3
Now You See Me
Most frequent director
Glenn Ficarra
2 films together
Longest collaboration
2×
With Glenn Ficarra
Most common genre
Thriller
8 titles
Average runtime
1h 46m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.5 average MV
The 2010s are where the work and the material meet. The Magnificent Seven, The Founder, Terminator Genisys — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.5
Across 11 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Magnificent Seven, The Founder, Terminator Genisys.
Most productive era
2010s
11 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.93 films | 5.51 film |
| Action | 6.24 films | 5.82 films |
| Thriller | 6.25 films | 5.93 films |
| Comedy | 6.53 films | — |
| Crime | 6.64 films | 5.51 film |
| Romance | 6.72 films | — |
| Horror | 5.31 film | 5.41 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Mark.
Highest rated performance · Career peak
2013Now You See Me
7.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025A Breed Apart
The current state of the argument, as Director.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
16 of 16 films
as Stethoscope Agent
Directed by Louis Leterrier
as Jim Zien
Directed by John Lee Hancock
as Gareth
Directed by Glenn Ficarra
as Director
Directed by Griff Furst
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Stethoscope Agent
Now You See Me (2013)
Performance score7.2
The performance the rest of the career is read through. Stethoscope Agent gives Griff Furst a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Jim Zien
The Founder (2016)
Performance score7.1
The Founder asks for something the previous films did not, and gets it. Jim Zien is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Master of Ceremonies
Trumbo (2015)
Performance score7.1
Trumbo asks for something the previous films did not, and gets it. Master of Ceremonies is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Gareth
Focus (2015)
Performance score6.8
Focus asks for something the previous films did not, and gets it. Gareth is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Stethoscope Agent
Start here. Now You See Me is the clearest statement of what Griff Furst does — accessible, 116 minutes, and rated 7.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Griff at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Trumbo (2015)
A deliberate change of key after Now You See Me — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Focus (2015)
A deliberate change of key after Trumbo — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Founder (2016)
A deliberate change of key after Focus — same instrument, unfamiliar tuning, and the reason range gets mentioned.
A Breed Apart (2025)
A deliberate change of key after The Founder — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Glenn Ficarra
Director
2 films together
Notably Focus
Antonio Negret
Director
1 film together
Notably Transit
Louis Leterrier
Director
1 film together
Notably Now You See Me
Peter Segal
Director
1 film together
Notably Grudge Match
Jay Roach
Director
1 film together
Notably Trumbo
Tarsem Singh
Director
1 film together
Notably Self/less
Alan Taylor
Director
1 film together
Notably Terminator Genisys
John Lee Hancock
Director
1 film together
Notably The Founder
Antoine Fuqua
Director
1 film together
Notably The Magnificent Seven
Ben Young
Director
1 film together
Notably Devil's Peak
Rusty Cundieff
Director
1 film together
Notably 57 Seconds
Griff Furst
Director
1 film together
Notably A Breed Apart
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Glenn Ficarra
Director
2 films together · 6.7 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
FocusLouis Leterrier
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Now You See MeJohn Lee Hancock
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The FounderJay Roach
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
TrumboAntoine Fuqua
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Magnificent SevenTarsem Singh
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Self/lessRusty Cundieff
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
57 SecondsPeter Segal
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Grudge MatchAlan Taylor
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Terminator GenisysAntonio Negret
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
TransitBen Young
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Devil's PeakGriff Furst
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Breed ApartSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Trumbo
as Master of Ceremonies
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Founder
as Jim Zien
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Now You See Me
as Stethoscope Agent
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Trumbo
as Master of Ceremonies
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Now You See Me
as Stethoscope Agent
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Griff Furst has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Thriller Legend
Awarded
8 catalogue titles in thriller, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Now You See Me
as Stethoscope Agent
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Now You See Me
as Stethoscope Agent
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Founder
as Jim Zien
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Devil's Peak
as Coach Cooper
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Magnificent Seven
as Phillips
Images that would survive with the sound switched off.
Best action sequence
The Magnificent Seven
as Phillips
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
I Love You Phillip Morris
as Mark
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Founder
as Jim Zien
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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