Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6580
of 909177 performers
Top 1%
Hannah Marks works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Hannah Marks appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Hannah. Dinner in America is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for western, romance, drama. It is a style built on what is withheld as much as what is played.
Working with Hannah Marks, Marc Webb, Floria Sigismondi and others, Hannah Marks helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Dinner in America (2020) as Beth · Turtles All the Way Down (2024) as Holly · The Amazing Spider-Man (2012) as Missy Kallenback
Career snapshot
Ranked #6580 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2006–2026
Career length
20 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
Dinner in America
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
7.7
Dinner in America
Most frequent director
Hannah Marks
1 film together
Longest collaboration
1×
With Hannah Marks
Most common genre
Romance
2 titles
Average runtime
1h 54m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.7 average MV
The 2020s are where the work and the material meet. You Can't Win, Turtles All the Way Down, Dinner in America — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.7
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Accepted.
Most productive era
2010s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | — | 6.51 film | 7.31 film |
| Action | — | 7.01 film | — |
| Comedy | 6.51 film | — | 7.71 film |
| Romance | — | — | 7.52 films |
| Horror | — | 6.11 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2006Accepted
Where our catalogue meets this career, as Lizzie Gaines.
Highest rated performance · Career peak
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026You Can't Win
The current state of the argument, as Julia.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Missy Kallenback
Directed by Marc Webb
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Beth
Dinner in America (2020)
Performance score7.5
The performance the rest of the career is read through. Beth gives Hannah Marks a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Holly
Turtles All the Way Down (2024)
Performance score7.2
Turtles All the Way Down asks for something the previous films did not, and gets it. Holly is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Missy Kallenback
The Amazing Spider-Man (2012)
Performance score6.9
The Amazing Spider-Man asks for something the previous films did not, and gets it. Missy Kallenback is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Julia
You Can't Win (2026)
Performance score6.5
You Can't Win asks for something the previous films did not, and gets it. Julia is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Beth
Start here. Dinner in America is the clearest statement of what Hannah Marks does — accessible, 108 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Hannah at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Amazing Spider-Man (2012)
A deliberate change of key after Dinner in America — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Daniel Isn't Real (2019)
A deliberate change of key after The Amazing Spider-Man — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Turtles All the Way Down (2024)
A deliberate change of key after Daniel Isn't Real — same instrument, unfamiliar tuning, and the reason range gets mentioned.
You Can't Win (2026)
A deliberate change of key after Turtles All the Way Down — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Steve Pink
Director
1 film together
Notably Accepted
Floria Sigismondi
Director
1 film together
Notably The Runaways
Marc Webb
Director
1 film together
Notably The Amazing Spider-Man
Hannah Marks
Director
1 film together
Notably Turtles All the Way Down
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Hannah Marks
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Turtles All the Way DownMarc Webb
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Amazing Spider-ManFloria Sigismondi
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The RunawaysSteve Pink
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AcceptedSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Dinner in America
as Beth
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Turtles All the Way Down
as Holly
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Dinner in America
as Beth
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Dinner in America
as Beth
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Dinner in America
as Beth
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Hannah Marks has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
20 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Romance Legend
Awarded
2 catalogue titles in romance, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Dinner in America
as Beth
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Daniel Isn't Real
as Sophie
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Turtles All the Way Down
as Holly
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Daniel Isn't Real
as Sophie
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Amazing Spider-Man
as Missy Kallenback
Images that would survive with the sound switched off.
Best action sequence
The Amazing Spider-Man
as Missy Kallenback
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Turtles All the Way Down
as Holly
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Amazing Spider-Man
as Missy Kallenback
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: adventure and drama
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David Krumholtz
Built a career in the same territory: action and adventure
Morgan Freeman
Built a career in the same territory: action and drama
Léa Seydoux
Built a career in the same territory: adventure and drama
Edward Norton
Built a career in the same territory: comedy and adventure
Have your say
Community
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Reference
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