Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#12683
of 909177 performers
Top 5%
Danielle Macdonald works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Danielle Macdonald appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Danielle. Lady Bird is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, drama, comedy. It is a style built on what is withheld as much as what is played.
Working with Natalie Erika James, Azazel Jacobs, Ben Lewin and others, Danielle Macdonald helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Lady Bird (2017) as Another Young Lady · Skin (2019) as Julie Price · Bird Box (2018) as Olympia
Career snapshot
Ranked #12683 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2013–2026
Career length
13 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
Lady Bird
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.3
Lady Bird
Most frequent director
Natalie Erika James
1 film together
Longest collaboration
1×
With Natalie Erika James
Most common genre
Drama
10 titles
Average runtime
1h 41m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.6 average MV
The 2010s are where the work and the material meet. Skin, Paradise Hills, Skin — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.6
Across 9 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Skin, Paradise Hills, Skin.
Most productive era
2010s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.77 films | 6.03 films |
| Thriller | 6.34 films | — |
| Comedy | 6.73 films | 6.02 films |
| Crime | 6.52 films | — |
| Romance | 6.52 films | 6.51 film |
| Horror | 6.81 film | 6.61 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2013The East
Where our catalogue meets this career, as Tess.
Highest rated performance
2017Lady Bird
7.3 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2018Dumplin'
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Saccharine
The current state of the argument, as Josie.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
as Willowdean Dickson
Directed by Anne Fletcher
as Millie Cantwell
Directed by Ben Lewin
as Another Young Lady
Directed by Greta Gerwig
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Willowdean Dickson
Dumplin' (2018)
Performance score7.4
The performance the rest of the career is read through. Willowdean Dickson gives Danielle Macdonald a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Julie Price
Skin (2019)
Performance score7.3
Skin asks for something the previous films did not, and gets it. Julie Price is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Christa
Skin (2019)
Performance score7.3
Skin asks for something the previous films did not, and gets it. Christa is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Millie Cantwell
Falling for Figaro (2021)
Performance score7.2
Falling for Figaro asks for something the previous films did not, and gets it. Millie Cantwell is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Willowdean Dickson
Start here. Dumplin' is the clearest statement of what Danielle Macdonald does — accessible, 110 minutes, and rated 6.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Danielle at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Lady Bird (2017)
Keeps the comedy register of Dumplin' but asks for a colder reading of it.
Skin (2019)
Keeps the drama register of Lady Bird but asks for a colder reading of it.
Skin (2019)
Same director as Skin, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Falling for Figaro (2021)
A deliberate change of key after Skin — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Zal Batmanglij
Director
1 film together
Notably The East
Greta Gerwig
Director
1 film together
Notably Lady Bird
Anne Fletcher
Director
1 film together
Notably Dumplin'
Susanne Bier
Director
1 film together
Notably Bird Box
Ben Lewin
Director
1 film together
Notably Falling for Figaro
Azazel Jacobs
Director
1 film together
Notably French Exit
Natalie Erika James
Director
1 film together
Notably Saccharine
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Greta Gerwig
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Lady BirdSusanne Bier
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bird BoxAnne Fletcher
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dumplin'Natalie Erika James
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SaccharineZal Batmanglij
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The EastBen Lewin
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Falling for FigaroAzazel Jacobs
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
French ExitSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Lady Bird
as Another Young Lady
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
I Am Woman
as Lillian Roxon
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Lady Bird
as Another Young Lady
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Lady Bird
as Another Young Lady
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Dumplin'
as Willowdean Dickson
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Danielle Macdonald has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
10 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Lady Bird
as Another Young Lady
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Bird Box
as Olympia
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
I Am Woman
as Lillian Roxon
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Every Secret Thing
as Alice Manning
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Lady Bird
as Another Young Lady
Images that would survive with the sound switched off.
Best action sequence
Skin
as Julie Price
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Extracurricular Activities
as Becky Wallace
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Lady Bird
as Another Young Lady
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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