Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#2896
of 909177 performers
Top 1%
Kaya Scodelario works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kaya Scodelario appears in 15 films in the Nutevio catalogue, and none of them would work the same way without Kaya. Moon is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with Alex Winter, Hannah Marks, Sean McNamara and others, Kaya Scodelario helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Moon (2009) as Eve · The Maze Runner (2014) as Teresa Agnes · Now Is Good (2012) as Zoey Walker
Career snapshot
Ranked #2896 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
15
2009–2025
Career length
16 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
Moon
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
7.6
Moon
Most frequent director
Wes Ball
3 films together
Longest collaboration
3×
With Wes Ball
Most common genre
Action
6 titles
Average runtime
1h 49m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.6 average MV
The 2000s are where the work and the material meet. Moon — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.6
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Moon.
Most productive era
2010s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.61 film | 7.22 films | 7.02 films |
| Action | — | 6.85 films | 5.91 film |
| Thriller | — | 6.94 films | 6.21 film |
| Comedy | — | — | 6.52 films |
| Crime | — | 7.01 film | 6.12 films |
| Romance | — | 7.31 film | 7.11 film |
| Horror | — | 6.31 film | 5.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2009Moon
Where our catalogue meets this career, as Eve. 7.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Adulthood
The current state of the argument, as Meg Robles-Vargas.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
15 of 15 films
as Teresa Agnes
Directed by Wes Ball
as Eve
Directed by Duncan Jones
as Zoey Walker
Directed by Unknown
as Emma
Directed by Chris Foggin
as Teresa Agnes
Directed by Wes Ball
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Teresa Agnes
The Maze Runner (2014)
Performance score7.7
The performance the rest of the career is read through. Teresa Agnes gives Kaya Scodelario a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Eve
Moon (2009)
Performance score7.7
Moon asks for something the previous films did not, and gets it. Eve is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Zoey Walker
Now Is Good (2012)
Performance score7.6
Now Is Good asks for something the previous films did not, and gets it. Zoey Walker is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Emma
This Is Christmas (2022)
Performance score7.5
This Is Christmas asks for something the previous films did not, and gets it. Emma is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Teresa Agnes
Start here. The Maze Runner is the clearest statement of what Kaya Scodelario does — accessible, 113 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kaya at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Moon (2009)
Keeps the science fiction register of The Maze Runner but asks for a colder reading of it.
Now Is Good (2012)
Keeps the drama register of Moon but asks for a colder reading of it.
Maze Runner: The Death Cure (2018)
A deliberate change of key after Now Is Good — same instrument, unfamiliar tuning, and the reason range gets mentioned.
This Is Christmas (2022)
A deliberate change of key after Maze Runner: The Death Cure — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Wes Ball
Director
3 films together
Notably The Maze Runner
Duncan Jones
Director
1 film together
Notably Moon
Louis Leterrier
Director
1 film together
Notably Clash of the Titans
Espen Sandberg
Director
1 film together
Notably Pirates of the Caribbean: Dead Men Tell No Tales
Joe Berlinger
Director
1 film together
Notably Extremely Wicked, Shockingly Evil and Vile
Chris Foggin
Director
1 film together
Notably This Is Christmas
Sean McNamara
Director
1 film together
Notably The King's Daughter
Hannah Marks
Director
1 film together
Notably Don't Make Me Go
Alex Winter
Director
1 film together
Notably Adulthood
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Wes Ball
Director
3 films together · 7.1 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
The Maze RunnerDuncan Jones
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MoonChris Foggin
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
This Is ChristmasSean McNamara
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The King's DaughterJoe Berlinger
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Extremely Wicked, Shockingly Evil and VileHannah Marks
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Don't Make Me GoEspen Sandberg
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pirates of the Caribbean: Dead Men Tell No TalesAlex Winter
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AdulthoodLouis Leterrier
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Clash of the TitansSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Maze Runner
as Teresa Agnes
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Now Is Good
as Zoey Walker
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Moon
as Eve
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Clash of the Titans
as Peshet
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Maze Runner
as Teresa Agnes
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kaya Scodelario has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
6 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Maze Runner
as Teresa Agnes
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Maze Runner
as Teresa Agnes
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Now Is Good
as Zoey Walker
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Woman in Cabin 10
as Grace Phillips
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Maze Runner
as Teresa Agnes
Images that would survive with the sound switched off.
Best action sequence
Maze Runner: The Death Cure
as Teresa Agnes
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
This Is Christmas
as Emma
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Maze Runner
as Teresa Agnes
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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